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Tell me
What towers still stand in your imagination?
Or have they all collapsed and faded into rubble with your dreams?
Do you still trace faces - on dust covered mirrors in rooms so empty like your own?
Perfect reflections of places you’ve come to haunt like shadows curled up to corners, tracing the memories of generations - etched into wood
Or have the messages and the comfort graffiti come and gone again?
Left you alone to scratch your name into bedposts unfamiliar
Just so you could leave your mark on something too

Do you wake up missing yesterday?
Still long for the days when these towers were a castle, or a jungle, or - whatever else you chose to be that day, the important part was that it was alive and amazing and we were always – together
And back then we were always together
Invading streets like small countries, we took them over one exaggerated step at a time
Tagging our names into trees and fences, we were satisfied that this place was ours and everyone would know it
We were war buddies
We were conquerors
We were children, and for awhile that was good enough for you

Years passed
It was so quick you could have blinked and missed it, and I guess I closed my eyes too soon cause suddenly – you were gone
You were too old for war games
Too mature to conquer the neighborhood
And apparently too good for me, since we stopped talking altogether
So all I could do was watch
Watch as neighbors painted fences, covered up the last signs of our imaginary accomplishments
Watch as this town expanded to add more businesses and buildings, ripped our trees straight from their homes
Watch as you got older and more focused, left childhood behind you without a backwards glance and left yesterday in the dust

Jump forward
Watch the world spin - and twist around me like mercury
Day shifting night shifting day shifting week shifting month shifting year
Shifting year
Shifting year
I’m taller now, bigger than my mother and brother, so tall I could stick my head in the clouds, or at least that’s what I used to think, and every once in awhile I catch myself doing just that
See, imagination never faded from these bones, but grew stronger like saplings do
This head is filled with fiction, poems, and philosophy – the fruits of my labor

The years haven’t changed me too much
A little less innocent, a little more cynical, a little more sarcastic – I’m a teenager, it comes with the territory
But as I look upon you again after all this time, I can’t say the same

You are weary, shrunken in from all the pressure reality has forced on you
I doubt you could stand straight if you wanted to
Your knuckles are sore and cramped - signing your name on sheet after sheet of paper work has left you distasteful of the syllables
As I mention our old adventures, reliving castles, mountains, battles, and jungles – your eyes screw shut, you look pained for all of a moment

In your head, I see the cities that have replaced our old world
I see corporate America in all its slick tall glory of gleaming metal and glass
I see rust gathering in every corner as you’ve slowly become spiteful of the life you’ve built, replacing fences for bedposts to carve your name into
Letting the trees rot, and change into memos and bills

I can see the mirrors of your eyes - as you open them, dusted over in weariness, trying to trace a message screaming ‘help me to live again’
Left alone without defense, you yourself have been conquered
I can see all of this just before you reply
“I can’t remember.”

I respond sincerely
“I’m sorry.”
©2009-2010 ~Unluckyshadow13
:iconunluckyshadow13:

Author's Comments

Coming of age

Comments


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:iconpardonm3:
Things I love:

Or have the messages and the comfort graffiti come and gone again?
Left you alone to scratch your name into bedposts unfamiliar
Just so you could leave your mark on something too

Invading streets like small countries, we took them over one exaggerated step at a time
Tagging our names into trees and fences, we were satisfied that this place was ours and everyone would know it

Too mature to conquer the neighborhood (I love the way this sounds, phonically, with all those rs and os)

twist around me like mercury
Day shifting night shifting day shifting week shifting month shifting year

imagination never faded from these bones, but grew stronger like saplings do

I’m a teenager, it comes with the territory (rhythm & alliteration ftw!)


Suggestions:

Or have they all collapsed and faded with your dreams like so much rubble?
to
Or have they all collapsed and faded into rubble with your dreams?
- 'so much rubble' sounds funny

Do you still wake up missing yesterday?
to
Do you wake up missing yesterday?
- for flow

whatever else you chose it to be that day
to
whatever else you chose to be that day
- a little closer to the person in the poem, a little something to think about

And back then we were always together
to
And back then we were always together
- the together has already been said in the previous line, and 'we' implies together - also think it's a smoother transition into the history of the subjects

Watch as neighbors painted fences, covering up the last signs of our imaginary accomplishments
Watch as this town expanded to add more businesses and buildings, ripping our trees straight from their homes
Watch as you got older and more focused, left childhood behind you without a backwards glance and left yesterday in the dust

to
Watch as neighbors painted fences, covered up the last signs of our imaginary accomplishments
Watch as this town expanded to add more businesses and buildings, ripped our trees straight from their homes
Watch as you got older and more focused, left childhood behind without a backwards glance and left yesterday in the dust

- set the 'ing' words to past tense, to help ease the strange rhythm and flow smoother - also, the staccato of 'ripped our trees straight from their homes' phonically emphasizes how unpleasant it should feel while mimicking the action

Shifting year
Shifting year

to
Shifting year
Shifting gear

- just something fun to think about

You are weary, shrunken in from all the pressure reality has forced upon you
to
You are weary, shrunken in from all the pressure reality has forced on you
- 'upon' was used in the previous line, and here it doesn't seem to be used for repetition

left you distasteful of the syllables
As I remark upon

to
has soured every syllable
As I mention

- this sounded a bit awkward - different language & 'upon' again?

In your head, I can see the cities that have replaced our old world
I can see corporate America in all its slick tall buildings made of gleaming metals and glass
I can see the rust gathering in every corner as you’ve slowly become disillusioned and spiteful of the life you’ve built, replacing fences for bedposts to carve your name into
Letting the trees rot, and change into memos and bills

to
In your head, I see the cities that have replaced our old world
I see corporate America in all its slick tall glory of gleaming metal and glass
I see the rust gathered at every corner as you’ve slowly become spiteful of the life you’ve built, trading fences for bedposts to carve your name
Letting the trees rot into memos and bills

- omitted 'can' for smoother flow - 'slick tall glory' is something to think about... I liked it :p - 'disillusioned' is a mouthful and 'spiteful' says it better

I can see the mirrors of your eyes - as you open them, dusted over in weariness, trying to trace a message into themselves screaming ‘help me to live again’
Left alone and without defense, you yourself have been conquered

to
I can see the mirrors of your eyes - as you open them, dusted over in weariness, trying to trace a message screaming ‘help me to live again’
Left alone without defense, you yourself have been conquered

- just something else to think about

Hokay, that was looong. But a successful narrative that gets your audience invested in the characters. Something we can all relate to at one time or another. :heart:
:iconunluckyshadow13:
Wow, possibly the longest comment ever. Not sure if I should be happy someone cares enough to help me develop or worried that I hadn't seen that many issues before. I've changed the majority of it, and it seems a lot more streamlined, which is good. Spoken word is only effective if you aren't stumbling every line.

Thanks as always for your review and suggestions ^^

--
The way I see it, you have three choices. You can sink, you can swim, or you can develop a set of gills. Personally, I'd be most impressed by that last one.

I'm going to kill you so hard you will die to death.
:iconpardonm3:
I wouldn't call them issues, as they're mostly minor things.
<3
:iconunluckyshadow13:
Well, little things tend to stack up and cause issues unfortunately for me. The easier this is to read, the better I'll be able to perform it. And I usually only read a poem once at slam, so I try my hardest to get it right that first time. So all critiques are greatly appreciated <3

--
The way I see it, you have three choices. You can sink, you can swim, or you can develop a set of gills. Personally, I'd be most impressed by that last one.

I'm going to kill you so hard you will die to death.
:iconblue-jester:
I think you've got to be one of my favorites on this site. This is amazing.

--
Milk feels pain.
:iconblue-jester:
And also, I've had the same conversation with someone who was my childhood bestfriend once. It was awkward when he just looked at me with a blank stare. I kind of felt like I died a little.

--
Milk feels pain.
:iconunluckyshadow13:
<3

--
The way I see it, you have three choices. You can sink, you can swim, or you can develop a set of gills. Personally, I'd be most impressed by that last one.

I'm going to kill you so hard you will die to death.

Details

July 16, 2009
3.9 KB

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